Marina Malfatti's haircut here) but unlike others from the period (Perfume of the Lady in Black, Le Orme the child here remains unborn (and possibly unreal). A murderous maniac who wears a monstrous rubber mask sews death in a theater, killing two women with the Freddy Krueger claws. A Greek soldier leads the fight against an invading Persian army. She soon is making plans to reunite with her husband in romantic Rome to rekindle the flame of long-forgotten love. Hot stuff Bea Fieldler (myriam) stars!
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Tarr and Professor Feather, as Wegener locks up the real doctors and permits the lunatics to run wild. Following Dr Steffanic's arrival in the US he is taken into protective custody.A.R.M. Was there a plot? But the landing of a seaplane gives them hope, but they fall from the frying pan into the fire, they are adventurers come here to find rubies using the natives as slaves and are led by very bad Dupré. Before gore and set-piece slaying, gialli like Umberto Lenzi's orgasmo and Lucio Fulci's ONE ON TOP OF THE other were bloodless, psychological murder mysteries that relied on plot twists, sexual situations, and irony for their thrills and interrabang is more of the same with director. Laura Antonelli, in her full personal appeal, who is already "naked" enough, is worthy of a special mention. What follows is a series of flashbacks which may explain Tourvels actions, as Dunand tries to understand his young client. Impeccably styled and shot, Francesco Maselli's hyper-elegant 1920s drama rivals Bertolucci's 'The Conformist' and Godard's 'Contempt' as the best-ever film of an Alberto Moravia novel.